O amanhã nunca morre (Tomorrow never dies, 1997)

Sequência de abertura, com a canção de Sheryl Crow Tomorrow never dies.


Darling I'm kill
I'm in puddle on the floor
Waiting for you to return
Oh what a trill Vacillations good lord
How to tease How you leave me to burn
It's so deadly my dear
The power of wanting you near

[CHORUS]
Until the day Until the world falls away
Until you say there will no more good-byes
I see it in your eyes
Tomorrow never dies

Darling you won It's no fun
Martinis, girls, and guns
It's murder on our love affair
You bet your life Every night
While you chase every morning die
You're not the only spy out there
It's so deadly my dear
The power of wanting you near

Chorus
Until the day...

Da Rússia com amor (From Russia with love, 1963)

Sequência de abertura, com tema instrumental composto por John Barry e Lionel Bart.

007 contra a chantagem atômica (Thunderball, 1965)

Sequência de abertura, com a canção Thunderball, de John Barry e Don Black, interpretada por Tom Jones.


He always runs while others walk
He acts while other men just talk.
He looks at this world, and wants it all,
So he strikes, like thunderball.
He knows the meaning of success.
His needs are more, so he gives less.
They call him the winner who takes all.
And he strikes, like thunderball.

Any woman he wants, hell get.
He will break any heart without regret.
His days of asking are all gone.
His fight goes on and on and on.
But he thinks that the fight is worth it all.
So he strikes like thunderball

007 - A serviço secreto de Sua Majestade (On her majesty's secret service, 1969)

Sequência de abertura, com música-tema instrumental composta por John Barry.


Ao contrário dos filmes anteriores, a música-tema é instrumental, porque Barry achou que o título do filme só poderia ser incluído se fosse uma composição operística no estilo de Gilbert e Sullivan.

007 contra Goldeneye (Goldeneye, 1995)

Sequência de abertura.


Letra.

007 contra Octopussy (Octopussy, 1983)

Sequência de abertura, com a canção All time high, interpretada por Rita Cooudge.


Letra

Com 007 só se vive duas vezes (You only live twice, 1967)

Sequência de abertura, em que Nancy Sinatra canta You only live twice.


Letra

Somente para seus olhos (For your eyes only, 1981)

Sequência de abertura, com a canção de Sheena Easton For your eyes only.


Baixe aqui o tema de abertura de Somente para seus olhos.

For your eyes only, can see me through the night
For your eyes only, I never need to hide
You can see so much in me, so much in me that's new
I never felt until I looked at you

For your eyes only, only for you
You'll see what noone else can see, and now I'm breaking free
For your eyes only, only for you
The love I know you need in me, the fantasy you've freed in me
Only for you, only for you

For your eyes only, the nights are never cold
You really know me, that's all I need to know
Maybe I'm an open book because I know you're mine
But you won't need to read between the lines

For your eyes only, only for you
You see what no one else can see, and now I'm breaking free
For your eyes only, only for you
The passions that collide in me, the wild abandoned side of me
Only for you, for your eyes only

007 contra o foguete da morte (Moonraker, 1979)

Sequência de abertura, com a canção Moonraker (homônima ao filme, no título original), em que Shirley Bassey interpreta pela terceira e última vez um tema de James Bond.


Where are you? Why do you hide?
Where is that moonlight trail that leads to your side?
Just like the moonraker goes in search of his dream of gold,
I search for love, for someone to have and hold,
I've seen your smile in a thousand dreams,
Felt your touch and it always seems,
You love me,
You love me.

Where are you? When will we meet?
Take my unfinished life and make it complete
Just like the moonraker knows
His dream will come true someday
I know that you are only a kiss away.

I've seen your smile in a thousand dreams,
Felt your touch and it always seems,
You love me,
You love me.

Casino Royale (2006)

Sequência de abertura, com a canção de Chris Cornell, You know my name.


If you take a life
Do you know what you'll give?
Odds are you won't like What it Is.

When the storm arrives
Would you be seen with me?
By the merciless eyes I've deceived
I've seen angels fall from blinding heights
But you yourself are nothing so divine
Just next in line
Arm yourself because no one else here will save you
The odds will betray you
And I will replace you

You can't deny the prize it may never fulfill you
It longs to kill you
Are you willing to die?

The coldest blood runs through my veins
You know my name
If you come inside
Things will not be the same
When you return to my eyes
And if you think you've won
You never saw me change
The game that we have been playing
I've seen diamonds cut through harder men
Then you yourself but if you must pretend
You may meet your end

The coldest blood runs through my veins
Try to hide your hand
Forget how to feel (forget how to feel)
Life is gone
With just a spin of the wheel (spin of the wheel)

The coldest blood runs through my veins
You know my name (You Know My Name)
You Know My Name (You Know My Name)

Os diamantes são eternos (Diamonds are forever, 1971)

Sequência de abertura de Os diamantes são eternos. Shirley Bassey, pela primeira de três vezes, apresenta a canção-tema - Diamonds are forever.


Diamonds are forever,
They are all I need to please me,
They can stimulate and tease me,
They won't leave in the night,
I've no fear that they might desert me.

Diamonds are forever,
Hold one up and then caress it,
Touch it, stroke it and undress it,
I can see every part,
Nothing hides in the heart to hurt me.

I don't need love,
For what good will love do me?
Diamonds never lie to me,
For when love's gone,
They'll luster on.

Diamonds are forever,
Sparkling round my little finger.
Unlike men, the diamonds linger;
Men are mere mortals who
Are not worth going to your grave for.

I don't need love,
For what good will love do me?
Diamonds never lie to me,
For when love's gone,
They'll luster on.

Diamonds are forever, forever, forever.
Diamonds are forever, forever, forever.
Forever and ever.

007 contra o homem com a pistola de ouro (The man with the golden gun, 1974)

Sequência de abertura de 007 contra o homem com a pistola de ouro, com a chatíssima canção de Lulu, que é homônima ao título original do filme.


He has a powerful weapon
He charges a million a shot,
An assassin that's second to none,
The man with the golden gun.

Lurking in some darkened doorway,
Or crouched on a roof top somewhere,
In the next room, or this very one
The man with the golden gun.

Love is required whenever he's hired,
It comes just before the kill.
No-one can catch him, no hit man can match him
For his million dollar skill.

One golden shot means another poor victim,
Has come to a glittering end,
For a price, he'll erase anyone
The man with the golden gun.

His eye may be on you or me.
Who will he bang? We shall see.
Oh yeah!

Love is required whenever he's hired,
It comes just before the kill.
No-one can catch him, no hit man can match him
For his million dollar skill.

One golden shot means another poor victim,
Has come to a glittering end,
If you want to get rid of someone,
The man with the golden gun
Will get it done
He'll shoot anyone With his golden gun.

007 contra Goldfinger (Goldfinger, 1964)

Sequência de abertura de 007 contra Goldfinger, com a canção de Shirley Bassey, Goldfinger.


Goldfinger
He's the man, the man with the Midas touch
A spider's touch
Such a cold finger
Beckons you to enter his web of sin
But don't go in

Golden words he will pour in your ear
But his lies can't disguise what you fear
For a golden girl knows when he's kissed her
It's the kiss of death...

From Mister Goldfinger
Pretty girl, beware of his heart of gold
This heart is cold

Golden words he will pour in your ear
But his lies can't disguise what you fear
For a golden girl knows when he's kissed her
It's the kiss of death...

From Mister Goldfinger
Pretty girl, beware of his heart of gold
This heart is cold
He loves only gold
Only gold
He loves gold
He loves only gold
Only gold
He loves gold

Com 007 viva e deixe morrer (Live and let die, 1973)

Sequência de abertura, com a canção de Paul MacCartney, Live and let die.


Baixe aqui o tema de abertura de Com 007 viva e deixe morrer

When you were young and your heart was an open book,
You used to say live and let live
(You know you did, you know you did, you know you did)
But if this ever-changing world in which we live in
Makes you give in and cry,
Say live and let die!
Live and let die,
Live and let die,
Live and let die.

What does it matter to ya,
When you've got a job to do you gotta do it well,
You gotta give the other fellow hell!

You used to say live and let live
(You know you did, you know you did, you know you did)
But if this ever-changing world in which we live in
Makes you give in and cry,
Say live and let die!
Live and let die,
Live and let die,
Live and let die.

Um novo dia para morrer (Die another day, 2002)

Sequência de abertura de Die another day, com a canção homônima de Madonna (que participa do filme como Verity, a instrutora de esgrima).

Baixe aqui o tema de abertura de Um novo dia para morrer.

I'm gonna wake up, yes and no
I'm gonna kiss, some part of
I'm gonna keep this secret
I'm gonna close my body now

I guess die another day
I guess I'll die another day
I guess die another day
I guess I'll die another day
I guess die another day,
I guess I'll die another day,
I guess die another day,
I guess I'll die another day

Sigmund Freud
Analyse this
Analyse this
Analyse this, this, this…

I'm gonna break the cycle
I'm gonna shake up the system
I'm gonna destroy my ego
I'm gonna close my body now

I think I'll find another way
There's so much more to know
I guess I'll die another day
It's not my time to go

For every sin, I'll have to pay
I've time to work, I've time to play
I think I'll find another way
It's not my time to go

I'm gonna avoid the cliché
I'm gonna suspend my senses
I'm gonna delay my pleasure
I'm gonna close my body now

I guess die another day
I guess I'll die another day
I guess I die another day
I guess I'll die another day

I think I'll find another way
There's so much more to know
I guess I'll die another day
It's not my time to go

I guess die another day
I guess I'll die another day
I guess die another day
I guess I'll die another day

Another Day

O espião que me amava (The spy who loved me, 1977)

Sequência de abertura, com a canção de Carly Simon, Nobody does it better.


Baixe aqui o tema de abertura de O espião que me amava

Nobody does it better
Makes me feel sad for the rest
Nobody does it half as good as you
Baby, you're the best

I wasn't looking but somehow you found me
I tried to hide from your love light
But like Heaven above me
The spy who loved me
Is keeping all my secrets safe tonight

And nobody does it better
Though sometimes I wish someone could
Nobody does it quite the way you do
Why'd you have to be so good?

The way that you hold me
Whenever you hold me
There's some kind of magic inside you
That keeps me from running
But just keep it coming
How'd you learn to do the things you do?

And nobody does it better
Makes me feel sad for the rest
Nobody does it half as good as you
Baby, baby, darlin', you're the best

Baby, you're the best
Darlin', you're the best
Baby, you're the best